When I was 4 years old, I had a dream I was playing in a sandbox, with several other children, inside a cave.  Suddenly, my family was driving away in a station wagon.  In a panic, I jumped up and tried to run out of the cave, I did not want to be left behind.  The cave exit was blocked by an enormously tall and hairy man.  I woke up terrified. The year was 1962, the next morning my family moved to Saigon, Viet Nam.  Years later I realized the giant hairy man was Bigfoot.  I believe his presence in the dream was as a warning to proceed with caution. 

As an adult, my relationship to Bigfoot is archetypal.  Bigfoot represents my hermit archetype. As an artist, we need time away from distractions, society, events, the normal activities of most people, in order to do our work.  Bigfoot represents the recluse, living a solitary existence, venturing out when he runs out of booze and smokes.  He is elusive by choice, answering to no one.  "Bigfoot's, Big Mouth" explores the themes of isolation, addiction and urban decay with a dose of humor and nostalgia.  

The assemblage frame for "Bigfoot's Big Mouth" is made of pieces that Big Foot, the character in my creation, found in the woods and on the fringes of society.  He is fascinated with the objects that humans give so much value too.  He is equally fascinated with the objects we discard without a look back.  I've created a frame by choosing every piece to reflect the mind set of the subject of the piece.  This frame embodies its subject, Bigfoot, in reality.  I set the objects, one by one, to expand the story of his journey.  What was hidden is now revealed. 

May 22, 2016 Curator Wendy Sherman and Artists Talk at Hearsay: Artists Reveal Urban Legends Losjocos Gallery DTLA 2pm Cartwheel Art Tours - Tickets and more info

​LosJoCos Gallery Hearsay:Artists Reveal Urban Legends 

Odds and ends from my framing collection

Cast of a Bigfoot print that was cast in 1963 in the area of the famous Patterson-Gimlin film.
- bigfootcasts.com

Research Websites
http://www.bfro.net/
http://www.manataka.org/page1487.html

View my studio in 360, click on the link to go to 360 image, click on image to load in full 360.  
All paintings and assemblages by Snow Mack except two abstract paintings, collabs with husband, Kevin Mack.  
https://goo.gl/photos/WaVGGCaDWiM4h9er6

 Stills from my talk "Living with Creativity" at THU 

In September 2015, I went to an event in Portugal called Trojan Horse was a Unicorn.  This incredible event at a resort in Troia will remain one of the most memorable trips of my lifetime. "Trojan Horse was a Unicorn is a unique four-day Digital Art Rave.  The 3rd installment happened in Portugal from 15 to 19 September 2015. A prestige event for Producers, Animators, Game Developers, Concept Artists, All Around 3D generalists, VFX people and all manner of CG professionals and just the curious folk out there."
I went to THU to be a mentor and share my knowledge about art and working in VFX.  I gave a talk titled "Living With Creativity", preparing for the talk gave me so many insights into my own art practice.  
I gained so much more than I gave. I met so many wonderful people; both seasoned Art professionals and enthusiastic and talented students.

Every day the schedule was packed with talks from artists at the top of their game, talk show style interviews and hilarious and insightful fireside chats in the evening followed by live Art Battles.
Through amazing foresight and planning, all of this was captured by incredible teams and live streamed as THU TV. All of the knowledge, inspiration, career advice, technical tips, lessons learned and shared by seasoned artists are available from THU TV on Vimeo.  98 videos including my talk, "Living with Creativity" are available as a subscription.  

The event was held at the Troia Design Hotel, a dreamy location for a transcendent event. 
In addition to participating in THU events, giving talks and being interviewed for a podcast by Christopher Nichols of Chaos Group and Ian Failes of FX Guide, my husband Kevin Mack and I shared his virtual reality art demo Shape Space VR.  We made many life long friends.  I feel I gained so much more than I gave. My creative spirit is rejoicing with abundant energy and feeling synergy with the THU Tribe that resonates to my core.  Thank You THU! 

THU Trailer: https://vimeo.com/ondemand/thu2015/143196152

THU on Vimeo - https://vimeo.com/trojanunicorn

Podcast with Christopher Nichols - Chaos Group - October 26, 2015
https://labs.chaosgroup.com/index.php/cg-garage-podcast/cg-garage-podcast-44-kevin-snow-mack/

Review by Ian Failes - fxguide.com - September 19, 2015
http://www.fxguide.com/quicktakes/trojan-horse-wrap-up-abstract-vr-perception-juice-d-up-titles/

​Virtual Reality Art by Kevin Mack - ShapeSpaceVR.com
Kevin Mack's Art website - KevinMackArt.com

Images from the Trojan Horse was a Unicorn event 9/15/2015 - 9/19/2015
All photos by Snow Mack except where noted

Images from trip to Troia Design Hotel, Portugal 9/15/2015 - 9/19/2015
All photos by Snow Mack except where noted

Having fun in my studio, capturing scenarios for future paint projects. 

Photographer: Lee Clower
Art Director for Phyllis Morris: Greg Firlotte
Design and Digital Paint: Snow Mack
Architectural Digest campaign 2005-2008

"Witch Dorothy, The Journey From Maiden to Crone" is a self portrait series that began when a pair of ruby slippers arrived from wizardofozcostumes.com.  From the first photo I shot, I was intrigued by my strong feelings of nostalgia and wonder.  Black and white striped stockings always remind me of the Wicked Witch of the East from the 1939 classic film "The Wizard of Oz".  One never sees this Witch's face, only her stockinged feet curling back under Dorothy's house after it fell on her!  The Ruby Slippers are the talisman that saves Dorothy.
As an artist, I desire to evoke the qualities of the Goddess in my work.  I am influenced by "Goddesses In Every Woman" written by Jean Shinoda Bolen.  Her insightful book explores the aging process through stories of the Goddesses.  At 56, closer to Crone than Maiden, I envision the "Witch Dorothy" series as a self portrait that defies age.  The journey is both physical and metaphorical; the iconic imagery draws the viewer in.  My hope is that at every step along the path, I will gain the wisdom that comes with experience and continue to know the girl in me.  

"Witch Dorothy" is an ongoing project.  The journey began March, 2014.  Images available as Fuji Chrome Prints through the artist.  

Locations so far:
Baton Rouge, Louisiana
Fort Worth, Texas
Tucumcari, New Mexico
Flagstaff, Arizona
Taos, New Mexico
Albuquerque, New Mexico 
Will Rogers State Beach, Pacific Palisades, CA

Model:
Snow Mack

Photographers:
Snow Mack 
Kevin Mack 
Dana Burgy-Gautschi
Jonathan Mack

In January 2014, I got a cell phone with a standard cell phone camera capable of taking HDR photos. I took more photos in 2014 than in many years with my digital camera.  Driving across the country and living in Baton Rouge, Louisiana inspired me to rely on my phone to document a wide range of visual inspirations.  My motto is "Stop a moment to take a photo.".  My trip to the Harwood Museum of Art in Taos, New Mexico in September was hugely inspiring.  Even the daily routine of walking with my dog in Los Angeles, has given me reason to pause and compose a shot.  Here is a random sample of photos from the past year, one from each month.   I am looking forward to refining several photographic series and continuing to flow with the inspiration.  Happy New Year 2015!  

Companion piece to "Baby Superman", "Baby Zod" is showing in the 16th Recycle Santa Fe Juried Art Exhibit, December 5-7, 2014.  

Step one: concept and inspiration.  "Baby Superman" was inspired by the idea of recreating the pod that Superman travels to Earth in as a baby fleeing his home planet.  "Baby Zod" ponders a similar journey for General Zod, with varying influences.  The companion pieces create a Light vs Dark scenario.  Part of the challenge was utilizing found and recycled materials. 

Step Two: Design layout

Step Three: Collage

Step Four: Finish work. Create the illusion of technology with bit and pieces of found and recycled material.

Details of completed work "Baby Zod": 14" x 11", Mixed media collage 

Materials: Basic structure, Masonite box - abandoned project of artist I share studio with (aka husband)

Found, recycled, gifted and yard sale Materials:

See's Candy wrapping
Various Christmas wrapping paper and gift bags 
Image - clothing store bag
Tie Rack packaging: celebrating 500 years of Paisley 
Baby Jesus - sidewalk sale at sewing factory downtown Los Angeles
Chess pieces - pawns - gifted to me for my frames
Keyboard keys - old keyboard
black and gold glitter - gifted
smile - dentist's post card
words on cubes, game pieces gifted to me
Dejour magazine collage pieces, magazine is free to Academy members
Envelope from AMPAS, annual dues letter, tiny Oscar design
Black Easter basket grass - gifted
faux gems, framing supplies collected over 3 decades
small nuts and bolts
nurnies and sprues, parts from model building kits
buttons
jack 
metal objects found on walks
sequins
computer parts found on walks
toy parts
Black plastic "crystals" -found chandelier
safety pins - yard sale box of 10 gross Prym Dritz - making safety pins since 1559

Non recycled materials:

Gesso
Acrylic paint
Mod Podge
Liquitex Gloss Medium
Elmer's Wood Glue Max
Quick Dry Tacky Glue
Nova Color Texture Paste
Hanging hardware

"Baby Superman" was inspired by the idea of recreating the pod that Superman travels to Earth in as a baby fleeing his home planet.  "Baby Zod", companion piece, ponders a similar journey for General Zod, with varying influences.  These two pieces create a Light vs Dark scenario.  Part of the challenge was utilizing found and recycled materials.

"Baby Superman", alt title "Super Baby Man", companion piece to "Baby Zod"
Dimensions: 14" x 11" x 3" Mixed Media

Materials
Basic structure Masonite box - abandoned project of artist I share studio with (aka husband)


Found, recycled, gifted and yard sale Materials:
Foil: recycled from foil leggings I wore to keep my cat, Peanut Butter, from biting my ankles
Padding in corners, under foil, paper towels from painting project
Used Holographic wrapping paper saved for appropriate project
Baby Jesus - sidewalk sale at sewing factory, downtown Los Angeles
Crystals - from chandeliers salvaged from Santa Monica Pussycat Theater when it sold
Bow - from Christmas
Bicycle reflector - not sure
Stars, faux gems, sequins from my framing supplies
Exterior of box - keys and hardware saved over the years

Non recycled materials:
Gesso
Acrylic paint
Mod Podge
Liquitex Gloss Medium
Elmer's Wood Glue Max
Quick Dry Tacky Glue
Nova Color Texture Paste
Hanging hardware

I am excited and honored to be included in ¡Orale! The Kings and Queens of Cool, at The Harwood Museum of Art in Taos, New Mexico.   Celebrating and exploring different aspects of the Lowbrow/Post Pop genre that grew out of West Coast surfer, car and street culture ¡Orale! The Kings and Queens of Cool  is the uniting theme for four exhibitions. 

Lowbrow Insurgence: The Rise of Post-Pop Art  includes internationally recognized artists
such as Robert Williams, Mark Ryden, Ron English, H.R. Giger, R. Crumb, Marion Peck, Stanley Mouse, Mark Bryan, Dennis Larkins, Winston Smith, Niagara, Anthony Ausgang, Esteban Bojorquez, Camille Rose Garcia, Von Dutch, Ed "Big Daddy" Roth and more!

Nuevo Lowbrow:Pop Culture in the West will feature over 100 celebrated artists of the Post-Pop Generation including Bob Dob, Joel Nakamura, Gary Baseman, Douglas Johnson, Laurie Lipton, Ryan Singer, KRK Ryden, Tim Prythero, Joe Coleman, Max Lehman, Isabel Samaras, Conrad Cooper, Carrie Ann Baade, Toby Morfin, Rik Allen, Brandon Maldonado, Tim Biskip, El Moises, Ana Bagayan, Greg Moon and many more!  A selection of original art by pioneers of Rock and Underground Comix including R. Crumb, Rick Griffin, Gilbert Shelton, Wes Wilson, Alton Kelly and Stanley Mouse will be exhibited in New Mexico for the first time.

Pinstripe Madera: Pinstriping as Minimalism  and El Tatuaje: The Tattoo in Underground Culture will run concurrently with Lowbrow Insurgence and Nuevo Lowbrow. 

Jina Brenneman, Curator of Exhibitions at the Harwood Museum of Art, states “Not surprisingly, the outlaw, seemingly expatriate state of New Mexico is a breeding ground for the ‘outsider’, the ‘unruly citizen’, the ‘underground artist’.  The descriptions for these archetypes relate very directly to Post-Pop influences and Lowbrow subject matter. Cars, pin-ups, punk, rock and roll, comics, tattoo, prison art, graffiti, pulp, surfer, airbrushed – anything from the streets and of the people, art that embodies technical craftsmanship blended with fantastical imagery and visually dynamic narratives.”

Brenneman continues, “When we trace the lineage of these new expressions, we have seen cultural influences as widespread as Kustom Kar Kulture, Surfing and Street Art, Underground Comix and Rock Art to Tattoo and Saturday Morning Cartoons! Add to these populist forms the powerful influence of Pop Art and Surrealism, a renewed interest in narrative content (story telling) and a new aesthetic begins to emerge. Possibly the most compelling aspect of all of this has been how seemingly disparate parallel paths, bending to the subtle arc of history, have coalesced in this time and place where past, present and future converge! Kings and Queens of Cool!

Brenneman teamed up with artist Dennis Larkins and co-curators Esteban Bojorquez, Greg Moon, Toby Morfin and El Moises to create ¡Orale! The Kings and Queens of Cool. The exhibition will be accompanied by a 100-page full-color catalog, designed by Esteban and Karen Bojorquez, documenting the artists in the exhibition.

For more information and previews of the art!
http://harwoodmuseum.org/exhibitions/upcoming

Exhibition Opening Events

Director’s Circles & VIP Preview Reception
Thursday, September 18, 5-7 pm

Alliance Members’ Opening Reception
Friday, September 19, 5-7 pm

Free Museum Admission
Saturday, September 20, 10 a.m-5 p.m.

Drive In Night/Street Party 
Harwood Museum of Art and Ledoux Street Businesses
Saturday, September 20, 4 p.m.-8 p.m.
Car show, Live music, artist talk

Edited from June 6, 2014 Harwood Museum of Art press release.
The exhibit runs from September 20, 2014 through January 25, 2015.